HIGHLIGHTS
- What: These changes include transformations in the presence of the body through its de-fetishization, contrasting it with centuries of the "cult of beauty" imposed by literature, painting, and sculpture, and of space, through the reconfiguration of the boundaries between the work and its surroundings and, as Alan Kaprow intended, through the consideration of the audience as actively belonging to the space of the artwork. The authors aimed to transform this data into a flow that simulates the transformational invariants of the environment as closely as possible. Inspired by Rancière`s concept of the emancipated spectator . . .
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