HIGHLIGHTS
SUMMARY
Understanding architecture as a complex and open activity allows for a degree of compromise and conciliation with the locus, the memory, the material imprints, the history of a city. Setting out from disparate starting points, both argue the position that architectural design as a subversive groundbreaking process in the context of a culture of economy and necessity will allow for the exploitation and exposition of the cultural building reserve, but will also lead to the production of new model ideas, studies and proposals. Industrial buildings, once on the outer edges of the urban fabric . . .
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