HIGHLIGHTS
SUMMARY
Besides the influence of numerical evaluations in terms of grades or scores for specific cultural products, cultural intermediaries produce, maintain and/or deconstruct specific discourses which substantially shape how people perceive cultural products and how cultural products and genres are hierarchically valued and canonized. Considering the central role of genre categorizations in how music is understood and perceived, the authors further explore how these evolving discourses are differentiated based on genre. The authors zoom in on two central aspects that play a role in how popular music genres are perceived more broadly: differences in . . .
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