HIGHLIGHTS
SUMMARY
The debates surrounding drag culture have always been controversial and intense in the framework of feminist theory. On the one hand, the image of the hyper-feminine drag queen enters the political stage as a visual symbol of the LGBTQ+ community liberation movement; on the other hand, many scholars and theorists see drag as a parody (with extremely negative connotation), and therefore regard drag interpretations of femininity as an aggressive mockery of women and womanhood, for which they actively criticize drag culture. This critique is targeted at the performative nature of drag performances, which . . .
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