HIGHLIGHTS
SUMMARY
It begins with a contemplation on light in film and architectural space. Page| 11 While acknowledging Tanizaki`s nostalgia for ancient Japanese architectural space, architect Arata Isozaki adds that this fascination with light and shadow Tanizaki admired comes from all that is left behind when light passes through darkness and that light therefore cannot be absolute but always temporary and exists only to disappear. As a viewer of virtual images, the moving-image spectator has a bodily presence in material architectural space yet engages with virtually rendered immaterial space framed on the screen…. the . . .
If you want to have access to all the content you need to log in!
Thanks :)
If you don't have an account, you can create one here.