HIGHLIGHTS
SUMMARY
Pitch has been further qualified, with notions of "virtual pitch", "spectral pitch", "melodic pitch" introduced for various combinations of SFS and SE cues. An intriguing synergy between SFS and SE cues has been revealed through the crossmodal correspondence of auditory pitch with the spatial dimension of height. The latter interaction corresponded to the shallower slopes for SE shifts compared to SFS shifts for harmonic sounds and the reversal of that pattern for inharmonic sounds. This three-way interaction indicated that harmonicity mediated the strength of the shift percept for one-dimensional SFS and SE . . .
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