HIGHLIGHTS
SUMMARY
Rely on the understanding of Spark (or her narrator) as "God`s spy" (Nye 1970: 14; Drabble 2018), or on concerns with "literary theology" (Sage 1992: 142), and may easily lead to a sort of "doctrinal criticism" (McQuillan 2002: 2). Haddox believes that through her use of experimental and postmodernist techniques, Spark "is concerned with making religious belief credible to an intellectual audience presumed not to be predisposed to it", and hints that she may be one of those for whom "the pluralistic postmodernity has become ‘a supreme opportunity` to assert the Christian narrative . . .
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