Cueing in theatre: timing and temporal variance in rehearsals of scene transitions

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SUMMARY

    The aim of this paper is to understand how cues are developed and how timing in scene transitions is achieved by using the designed cues. The authors deal with temporality socially in the daily interactions in the temporal and sequential organization of the social actions (e_g, De Ruiter et_al, 2006; Deppermann and amp; Günthner, 2015). Chronos refers to an objective, quantitative and measurable concept of time, e_g, minutes and seconds, while kairos refers to a qualitative and subjective concept of time, often translated as ‘the right moment` (Gelang, 2013). That is, Isabelle solves . . .

     

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