HIGHLIGHTS
SUMMARY
In view of these considerations, the most important is the fact that the Studio`s films, unlike the productions of film units, were not to be presented to the public.[3] There was an exception to this rule, though, in that these films could be released if they passed the political and artistic evaluation system, which was obligatory for films produced by film units. As a result, politically controversial films could reach an interested audience. It should be mentioned that I analyse not only distribution in cinemas (in this circuit there functioned above all . . .
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