HIGHLIGHTS
SUMMARY
Rather than simply referring to one particular identity (i.e. being a Mapurbe), this term conveys the ways young Mapuche reposition themselves within city space, dwelling within multiple identities and engaging in practices that often defy the essentialism of a static ‘indigenous tradition` as much as the neoliberal multiculturalism of the Chilean State. Following Thea Pitman`s analysis of the curation of indigenous contemporary art in Brazil, the emergence of indigenous curatorial agency is built on the taking of spaces, (the claim for) alternative ways of performing indigeneity, and the weaving of networks and . . .
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