HIGHLIGHTS
- who: CURRENT CONTRIBUTION and collaborators from the Universidade have published the paper: JOLCEL 6 - masterdocument, in the Journal: (JOURNAL)
SUMMARY
The confrontation with the human body, devoid of any trappings, allowed for a demanding exploration into the ultimate limits and intimate relation between form and content. But where Hosmer had opted for a severe and de-sensualized approach to the female body, Leighton was to invest himself into the material and sensory rediscovery of line and colour afforded by painting. If, as Quatremère de Quincy eloquently described, Winckelmann "succeeded in creating a . . .
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