HIGHLIGHTS
SUMMARY
The politics and poetics of engaging with trauma, dis‐ placement, loss, or identity struggles in diasporic and migratory landscapes have found their entrance into dif‐ ferent conceptual notions of "accented cinema" (Naficy, 2001, p 4), migratory aesthetics (Bennett, 2005; Durrant and amp; Lord, 2007; Moslund et_al, 2015), performing exile (Meerzon, 2012), or documenting the migrant image (Demos, 2013). Ethnographers, for example, have to carefully consider their methodologies and research designs and how they position themselves and behave as practitioners and researchers in a shared "hypermedia" world (Dicks et_al, 2005; Goggin and amp; Hjorth, 2014 . . .
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