Opera, audio technologies, and audience practices in the late nineteenth century: the case of jules verne*

HIGHLIGHTS

SUMMARY

I would like to thank Emilio Sala, Carlo Lanfossi, and the anonymous reviewers for their insightful comments and suggestions. * opera, audio technologies, and audience practices of Verne`s technical descriptions was functional to the investigation of the impact of emergent technologies on the social life. This article focuses on Verne`s literary production about opera, audio technologies, and audience practices-a relatively less known portion of his output which proves to be particularly thought-provoking for scholars interested in the cultural history of recording and communication technologies, technologically-situated listening practices, wider questions of . . .

 



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