The article offers insight into various approaches to developing contemporary slovenian playwriting at the beginning of the third decade of the 21st century

HIGHLIGHTS

• who: NGOs or private theatres from the Our main research question was which physical, educational, economic, production and artistic circumstances are most influential in cultivating Slovenian new writing for the stageWe have employed both qualitative and quantitative research methods to look for the answers. Since the start of the millennium, approaches to cultivating new Slovenian plays have included a range of informal education opportunities, i.e., intensive masterclasses and workshops organised by many NGOs and publicly-funded theatres: Sodobnost International, Slovene Writers` Association, Glej Theatre, the Week of Slovenian Drama, the Preu0161eren Theatre Kranj, the Slovenian National . . .
  

   

  

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