HIGHLIGHTS
SUMMARY
The Church He, who was already known as "il Prospettivo", established his fame with this fake room, which paved the path for architectural perspective and scenography by transforming perspective from a rational representation of space into a perceptual illusion. A narrow street at the back prevented from building a deep choir beyond the transept, so Bramante created a fake choir with a perspective in wood and plaster, which gave the illusion of the space he was unable to build (Fig 1). Although there are some references in the specific literature to hypotheses about the . . .
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