HIGHLIGHTS
SUMMARY
Engaging with urban space as an ambiguous instrument not only of political control but also of resistance, revolt can be redefined as a violent but aesthetic process of spatial re-appropriation that contests territorialized spatial power. Frantz Fanon`s 1963 analysis of spatial dynamics of decolonization in the Algerian liberation struggle serves not only as a starting point for the analysis of the spatial and aesthetic dynamics of revolt, but also for sharpening Lefebvre`s critique on the Situationist process of reappropriation (détournement) in the production of space. Any analysis which discusses the . . .
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