Udk 82.09-2:792 792:82.09-2 doi 10.51937/amfiteater-2022-2/50-64 the text will address some issues that substantially determine contemporary thinking about european drama and theatre. thus, for example, the idea of fragmentary drama- turgy will be considered in relation to the first case of such writing, namely, the comedies of aristophanes. the fundamental questions that should be taken into consideration are the following: relative to what idea of the “whole” (or “totality”) is a certain dramatic work fragmented, and according to what logic are these fragments connected to a certain unified “whole”? another important aspect refers to our belief that we live in an exclusive moment in history and that performativity is a distinguishing characteristic of our time. this assumption seems to be neglecting the long-standing tradition, dating back to plato, which considered spoken language as an act in itself

HIGHLIGHTS

• who: Gustav Renu00e9 Hocke and collaborators from the Self-Determination Anxiety and Signs of Crisis, Fragmentation, Performativity, Postdramatic Almir Bau0161oviu0107 Faculty of Philosophy, University of Sarajevo have published the research work: UDK 82.09-2:792 792:82.09-2 DOI 10.51937/Amfiteater-2022-2/50-64 The text will address some issues that substantially determine contemporary thinking about European drama and theatre. Thus, for example, the idea of fragmentary drama- turgy will be considered in relation to the first case of such writing, namely, the comedies of Aristophanes. The fundamental questions that should be taken . . .
  

   

  

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