HIGHLIGHTS
- What: If the authors compare this to the ancient Turkic-Mongol traditions, there is no direct "harmony" tradition in the early stages, but rather an emphasis on innovation and training.
- Who: Molomjamts Munkhdalai from the Mongolian National University of Education, Mongolian have published the paper: Symbol of Carving of the Ger, in the Journal: (JOURNAL)
SUMMARY
The art of carving and decoration in these gers involved a deep understanding of color and form, with intricate designs that reflected both the practical and aesthetic needs of nomadic life. The deeper, darker tones . . .
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